RC 388: Autumn – Everything Must Go

We say hello and wave goodbye to summer, holidays and camping , Autumn is here and so we have a autumnal podcast about change and endings with mashups from virtual camping with PDS Mix’s Mashup Summer Camp , and actual camping with music and chat relating to Jaunt 4 where I was walking along the Jurassic Coast.



New music from Mark David Hadley, and new-ish shiny mashups from reconthuse, Sir Hank, DJ Giac, Marc Johnce, Vixoria Drift, DJNoNo and Titus Jones with the Will It Mash chatpod , and a tune from the new Mort Garson compilation Journey to the Moon and Beyond.



Also more Nick Drake covers and focus on Jimmy Webb, the Pet Shop Boys and Elton John, 90’s trance metal covers and big beat indie remixes, Japanese Soft Cell covers and an 80’s Duckie-inspired section as Duckie goes monthly.



Listen to RC 388: Autumn – Everything Must Go by Radio Clash on hearthis.at



In Autumn Everything Stops For T (2:31, 211Mb)




David Cain & Ronald Duncan – Autumn



Manic Street Preachers – Everything Must Go (The Chemical Brothers Remix)



We Hate You Please Die – Freed From Desire



Vixoria Drift – I Really Like You! (Who Gives A Fuck?)



lobsterdust – Bonfire Vision



Titus Jones feat. The “Will It Mash” Chatpod – The Croc Days Are Over (Florence & The Machine vs. Elton John)



DJNoNo – Barbra And The Jets On The Bimmelbahn (Elton John vs Buddy Poke vs Duck Sauce)



Not the Nine O’Clock News – Typical, Bloody Typical



Jimmy Webb – Ocean In His Eyes



Elton John – Saturday Sun



Sir Hank Mashup – Jump around with Big Energy (House of Pain vs. Latto)



DJ Giac – West Heathens (Twenty One Pilots vs Pet Shop Boys)



Pet Shop Boys – I’m Not Scared



Copycat – Enjoy or leave in silence (A Copycat Mash)



Salon Music – Say Hello, Wave Goodbye



Fun Boy Three – Our Lips Are Sealed (Special Remix Version)



Say She She – NORMA



Marc Johnce – I Can See Discoproof Daisies (La Roux x Chromeo Vs. Taylor Swift Vs. Kylie Minogue Vs. Katy Perry Vs. Jessie Ware)



Mort Garson – Black Eye (End Credits)



Mark David Hadley – Echoes



µ-ziq – Éire



Doug Ashdown – Pocketful Of Keys



Joni Mitchell – The Arrangement



Pet Shop Boys – Invisible



Fissunix – is Schubert a crime (Sade vs Thylacine)



Stick in the Wheel – Parasite



Lil Peep – Life Is Beautiful



Cara Dillon – I Am A Youth That’s Inclined To Ramble



Brown Dust – Autumn



reconthuse – Summer Camp is Over (Dusty Springfield vs. ‘The Lightning Thief’ Cast vs. The Neighbourhood)




Transcript
WEBVTT



00:53.000 –> 00:57.000 Welcome to Radio Clash



01:08.000 –> 01:13.000 This is 388 and it’s Autumn: Everything Must Go. Yes especially those pesky leaves.



01:13.000 –> 01:16.000 Let us acknowledge that this passage constitutes a musical interlude



06:36.000 –> 06:43.000 That was Manic Street Preachers with Everything Must Go, the Chemical Brothers remix from 1996.



06:43.000 –> 06:48.000 And at the start, you heard Autumn, something I’ve had in the stack for a very long time.



06:49.000 –> 06:56.000 And that’s David Cain and Ronald Duncan from their very scary The Seasons album,



06:56.000 –> 06:58.000 a Radiophonic workshop.



07:02.000 –> 07:08.000 And yes, it is 388. I’ve come back from my hollibobs.



07:08.000 –> 07:14.000 And it is Autumn. Everything Must Go. Suddenly all the leaves must go.



07:14.000 –> 07:17.000 It’s weird. It wasn’t named that till the last minute.



07:17.000 –> 07:21.000 Either of them. Until stuff. Stuff has happened.



07:21.000 –> 07:25.000 Sometimes I have to podcast kind of as a distraction.



07:25.000 –> 07:30.000 A lot of my work is a distraction from what is going on in my life sometimes.



07:30.000 –> 07:33.000 And I have to say, this is no exception.



07:35.000 –> 07:38.000 So yes, you’re all a distraction, you are.



07:38.000 –> 07:40.000 I have to just focus on something.



07:40.000 –> 07:45.000 And I have to say that Chemical Brothers remix at the time, I didn’t really understand it.



07:45.000 –> 07:48.000 I don’t know. Maybe it’s because I hadn’t taken certain drugs then.



07:48.000 –> 07:55.000 But there is a certain schizophrenic dissociation, losing, just kind of falling into something,



07:55.000 –> 07:57.000 which I really connect with at the moment.



07:57.000 –> 08:00.000 Especially the lyric, I look to the future and it makes me cry.



08:00.000 –> 08:05.000 Because, hmm, anyway, the holiday was a success.



08:05.000 –> 08:10.000 Jaunt 4. I mean, kind of. I managed to damage my knee.



08:10.000 –> 08:16.000 I managed to stab my inflatable mattress with a pen knife accidentally on like day 2.



08:16.000 –> 08:19.000 I started out with 24 hours of rain.



08:19.000 –> 08:23.000 And I walked through lots of cow shit.



08:23.000 –> 08:25.000 And in the end, I just wanted to get it done.



08:25.000 –> 08:27.000 There was something else and I’ve forgotten it now.



08:27.000 –> 08:30.000 There’s three major events in it.



08:30.000 –> 08:32.000 Everything’s going wrong.



08:32.000 –> 08:34.000 But it’s done now.



08:34.000 –> 08:39.000 I’ve now walked the whole of the Jurassic Coast from Swanage to Exmouth.



08:39.000 –> 08:41.000 I’m not usually sure why.



08:41.000 –> 08:44.000 I’ve done quite a bit of artwork. I’ll blog about it.



08:44.000 –> 08:49.000 But yeah, I don’t expect one of those for a long time, unfortunately.



08:49.000 –> 08:52.000 And the song, when I was just thriving at Exmouth.



08:52.000 –> 08:55.000 And weirdly, I didn’t listen to a lot of music on that trip.



08:55.000 –> 08:58.000 I did a lot of walking. I did like 21 miles in one day.



08:58.000 –> 09:00.000 I worked out.



09:00.000 –> 09:03.000 I usually do that, working out how much I walk.



09:03.000 –> 09:05.000 Because it’s not going to rain, right?



09:05.000 –> 09:11.000 But that was the day when they were going to close the ranges at Lulworth for like a week.



09:11.000 –> 09:16.000 And so I wanted to get all my stuff done for that area around Tyneham.



09:16.000 –> 09:21.000 But yeah, as I came down the steps from the cliffs at Exmouth,



09:21.000 –> 09:26.000 which is my own destination, strangely, I mean, it was kind of getting evening.



09:26.000 –> 09:29.000 But there was a bunch of people doing kind of Zumba or something.



09:29.000 –> 09:34.000 It was some kind of exercising with kettlebells, but it’s kind of aerobic Zumba type of things.



09:34.000 –> 09:40.000 And the song they were playing was Freed from Desire, the 90s trance hit,



09:40.000 –> 09:43.000 which was a really strange thing to come down to.



09:43.000 –> 09:45.000 I was literally coming down to it.



09:45.000 –> 09:48.000 And listening to the lyrics is kind of very appropriate,



09:48.000 –> 09:53.000 because I was freed from my desire to walk the Jurassic coast at that very moment.



09:53.000 –> 09:57.000 And so here’s a very strange rock cover of it.



38:26.000 –> 38:36.000 That was Elton John covering Nick Drake, which, I mean, Elton John doesn’t do many covers anyway, but that’s from a Warlock sampler.



38:36.000 –> 38:41.000 Pre-fame, he did a whole load of songs for a record label.



38:41.000 –> 38:47.000 So like a kind of a demo, but kind of like to show Warlock was representing Nick Drake and a few other people.



38:48.000 –> 38:51.000 John Martin, I think, is on there as well, I think. There’s a few people.



38:51.000 –> 38:58.000 It’s got Way Too Blue, Saturday Sun, a few others from Nick Drake, which is just amazing.



38:58.000 –> 39:04.000 And apparently, Elton John, a while ago, sold the whole of his record collection and he kept two records.



39:04.000 –> 39:11.000 One was his white album signed personally from The Beatles, and the other one was that record.



39:11.000 –> 39:17.000 And because it’s so rare, it’s like a hundred, it’s been bootlegged, but there’s like a hundred only ever pressed.



39:17.000 –> 39:20.000 But it goes to show you, I think he likes that record.



39:20.000 –> 39:25.000 But it’s never had official release, so we might get into trouble for playing that.



39:25.000 –> 39:27.000 Do I care? Not really.



39:27.000 –> 39:30.000 Then before that, we had Jimmy Webb.



39:30.000 –> 39:35.000 I’ve been on another Jimmy Webb kick. I have to blame Rick Beato for that.



39:35.000 –> 39:41.000 I interviewed Jimmy Webb, and I watched that before I went off on holidays, I think.



39:41.000 –> 39:51.000 Really good interview, too short. It’s only like an hour, but it just shows you how good Jimmy Webb is and how not ego-y and very down to earth he is.



39:51.000 –> 39:56.000 And that’s from his mid-70s solo career.



39:56.000 –> 40:00.000 Of course, the date is wrong. That’s from a compilation.



40:00.000 –> 40:04.000 But he did an album about gliding, I think, really. He was really into his gliding.



40:04.000 –> 40:07.000 Apparently, after he did up, up and away, he really got into gliding.



40:07.000 –> 40:11.000 So there’s a picture of him gliding on the front cover, and that’s ocean in his eyes.



40:11.000 –> 40:13.000 It mentions things like kites.



40:13.000 –> 40:17.000 There’s sort of a brilliant theme throughout of flight and things like that.



40:17.000 –> 40:23.000 And then before that, we had from the 1980s, Typical, Bloody Typical, I think it’s 81 or 82.



40:23.000 –> 40:27.000 Quite the end of the Not The 9 O’clock News era.



40:27.000 –> 40:32.000 That was quite a bug as you get because it isn’t officially released, but it’s on an Audible thing.



40:32.000 –> 40:35.000 So I had to go through fun trying to convert it.



40:35.000 –> 40:41.000 Obviously, it’s a pisstake of Olivia Newton-John, rest in peace.



40:41.000 –> 40:46.000 But I was singing that while I was on holiday. I was singing it all the time.



40:46.000 –> 40:48.000 Typical, bloody typical.



40:48.000 –> 40:52.000 Because I mean, I forgot the other thing as well. I got attacked by dogs.



40:52.000 –> 40:55.000 So yeah, there was about three things that happened on holiday.



40:55.000 –> 40:59.000 It got to a point where I was like, there’s one more fucking thing I’m going home.



40:59.000 –> 41:01.000 Luckily there wasn’t, but yeah.



41:01.000 –> 41:05.000 Probably the reason why it sort of just sort of, I raced to finish it.



41:05.000 –> 41:09.000 I might go back to the era I did like it, what I saw, the bit I saw of Xmas.



41:09.000 –> 41:14.000 I love Sidmus, so I might go back, but not for a long while.



41:14.000 –> 41:20.000 And then before the nOt The 9 O’clock News, that was Pamela Stephenson on the vocals.



41:20.000 –> 41:27.000 And then before that, we had a new DJNoNo, that’s Barbara and the Jets on the Bimmelbahn.



41:27.000 –> 41:29.000 Bimmelbahn, yeah.



41:29.000 –> 41:34.000 It’s a long explanation of that track as Elton John versus Buddy Poke versus Duck Sauce.



41:34.000 –> 41:40.000 Now Bimmelbahn, Hallo Bimmelbahn is the original tune for Gotta Go Home by Boney M.



41:40.000 –> 41:44.000 Boney M used the vocal riff and basically the whole of the backing track.



41:44.000 –> 41:46.000 They just change the lyrics.



41:46.000 –> 41:51.000 The original lyrics of Hallo Bimmelbahn or Bimmelbahn is weirdly about…



41:51.000 –> 41:57.000 Bimmelbahn is one of those trackless trains, you know, those really cute ones that go on the road.



41:57.000 –> 42:01.000 I was saying Land Train and Road Train, but they’re kind of big trucks.



42:01.000 –> 42:04.000 No, it’s one of those little things you see in theme parks.



42:04.000 –> 42:07.000 And it’s about someone’s lover leaving on one.



42:07.000 –> 42:11.000 And the lyrics are quite sad, but it’s weird.



42:11.000 –> 42:13.000 It’s not exactly Leaving On A Jet Plane.



42:13.000 –> 42:18.000 So then that became Gotta Go Home by Boney M, which was then sampled by Duck Sauce.



42:19.000 –> 42:22.000 And it seemed to work really well with Bennie and the Jets.



42:22.000 –> 42:29.000 And so did you know, no, put that together and made it all about Barbara and Bennie on the Bimmelbahn?



42:29.000 –> 42:31.000 Yes.



42:31.000 –> 42:34.000 And it is kind of inspired.



42:34.000 –> 42:37.000 I think when I was playing it there, I was like, actually it probably is.



42:37.000 –> 42:43.000 It has been sort of inspired by the track before it, which is Titus Jones featuring the Will It Mash chat pod.



42:43.000 –> 42:45.000 I might have helped.



42:45.000 –> 42:49.000 The croc days are over. Florence and the Machine versus Elton John.



42:49.000 –> 42:51.000 I think I suggested the Florence and the Machine.



42:51.000 –> 42:53.000 And also I said, hasn’t that been done before?



42:53.000 –> 42:55.000 And then Titus tried it.



42:55.000 –> 42:58.000 It was like, result, keep that. That’s brilliant.



42:58.000 –> 43:00.000 And so hence why it’s credited to the Will It Mash chat pod.



43:00.000 –> 43:03.000 He usually doesn’t do those, but you could hear that was such a good song.



43:03.000 –> 43:04.000 So I was like, yes.



43:04.000 –> 43:05.000 Hence the quack.



43:05.000 –> 43:10.000 You hear the Titus Jones and quack, and the quack represents the Will It Mash chat pod.



43:10.000 –> 43:14.000 The Will It Mash being a Twitch channel where he mashes up live on stream.



43:14.000 –> 43:16.000 I’m a regular on there.



43:16.000 –> 43:17.000 Quack.



43:17.000 –> 43:19.000 And yeah, that was going to be Elton John section.



43:19.000 –> 43:20.000 I don’t play enough Elton John.



43:20.000 –> 43:23.000 I play bits on mashups.



43:23.000 –> 43:26.000 Elton John mostly has passed me by.



43:26.000 –> 43:27.000 I don’t know why.



43:27.000 –> 43:29.000 Maybe because I never really liked Tiny Dancer.



43:29.000 –> 43:31.000 I’m not sure.



43:31.000 –> 43:35.000 Then before that, we had Lobsterdust with Bonfire Vision.



43:35.000 –> 43:39.000 I’m not exactly sure it’s Childish Gambino versus something.



43:39.000 –> 43:42.000 And I can’t remember exactly what the dubstep is.



43:42.000 –> 43:47.000 But yeah, I think I heard that or a version with Bonfire.



43:47.000 –> 43:48.000 I think it was a version with Bonfire.



43:48.000 –> 43:52.000 But I think I heard that on the PDSMix’s summer camp, which is just finished.



43:52.000 –> 43:54.000 Because it mentions a bit about summer camp.



43:54.000 –> 43:57.000 I think someone did a mash with it and then they played that one.



43:57.000 –> 43:58.000 Or I found it via that.



43:58.000 –> 44:01.000 I was looking for mashups using the Bonfire vocal.



44:01.000 –> 44:02.000 I just love that.



44:02.000 –> 44:06.000 I’m going to burn everything you talk about.



44:06.000 –> 44:08.000 Yes, I like the anger of that.



44:08.000 –> 44:10.000 Then before that, similarly angry.



44:10.000 –> 44:13.000 We have Vixoria Drift with I really like you.



44:13.000 –> 44:14.000 Who gives a fuck?



44:14.000 –> 44:21.000 A mix of Carly-Rae Jepsen, Nightwish, Lamb of God, Tate McRae,



44:21.000 –> 44:24.000 and sort of a cast of millions.



44:24.000 –> 44:27.000 I forgot somewhere else that was also in there.



44:27.000 –> 44:30.000 But yeah, it’s a whole bunch of things.



44:30.000 –> 44:33.000 And that’s from the new ish album, Vivid.



44:33.000 –> 44:36.000 It’s really difficult to do multi-layered.



44:36.000 –> 44:41.000 So to multi-mash well in a way that it flows in a narrative.



44:41.000 –> 44:44.000 And it’s something I’ve been working on when I do my mashups.



44:44.000 –> 44:45.000 It’s not all of them.



44:45.000 –> 44:49.000 It’s one I threw out just before I left on holiday, which was a bit like,



44:49.000 –> 44:54.000 but usually I try and work on that flow between the interplay.



44:54.000 –> 44:58.000 And a lot of multi-mashes fail on that.



44:58.000 –> 44:59.000 They just sound like a medley.



44:59.000 –> 45:03.000 And what I like about that one is that does have that interplay where things



45:03.000 –> 45:04.000 seem to relate to each other.



45:04.000 –> 45:07.000 And they’re not suddenly just switching to one thing.



45:07.000 –> 45:10.000 It seems like a cohesive flow.



45:10.000 –> 45:14.000 And there’s a couple of tracks on the album, which are like that.



45:14.000 –> 45:18.000 Whereas I thought the passages, there was far too much switching.



45:18.000 –> 45:20.000 It sort of switched back and forth.



45:20.000 –> 45:22.000 And it was a bit like, I’d be ready to gain something and going,



45:22.000 –> 45:23.000 oh, that’s really good.



45:23.000 –> 45:25.000 And then they just switch.



45:25.000 –> 45:27.000 Whereas this, it feels like it’s sort of callbacks.



45:27.000 –> 45:30.000 And it doesn’t feel like you just suddenly switch the channel and,



45:30.000 –> 45:31.000 oh, you know, bad luck.



45:31.000 –> 45:32.000 That’s gone.



45:32.000 –> 45:34.000 And then, you know, a little bit, rather than, you know,



45:34.000 –> 45:39.000 but then main, there’s main bits of lamb and golden and whitewish,



45:39.000 –> 45:43.000 nightwish and color A Jepsen and a little bit of Gaga and a little bit of this.



45:43.000 –> 45:49.000 I think that works better than trying to do the sort of Mighty Mike,



45:49.000 –> 45:53.000 Norwegian Recycling thing of you can set your clock by every 10,



45:53.000 –> 45:56.000 20 seconds, switch to another diva, switch to another diva, switch to another diva,



45:56.000 –> 45:58.000 that I’m not a fan of.



45:58.000 –> 46:00.000 And it’s really difficult.



46:00.000 –> 46:03.000 Earworm was very good at it.



46:03.000 –> 46:06.000 Girl Talk wasn’t.



46:06.000 –> 46:08.000 So it’s not an easy thing to do.



46:08.000 –> 46:10.000 And I really think that album is a step forward.



46:10.000 –> 46:12.000 That’s a good idea.



46:12.000 –> 46:15.000 Before that, we had Freed from Desire,



46:15.000 –> 46:18.000 Gala cover from We Hate You, Please Die,



46:18.000 –> 46:20.000 which is a brilliant name for a band.



46:20.000 –> 46:22.000 When was that from?



46:22.000 –> 46:23.000 2020.



46:23.000 –> 46:25.000 I think I found that on there.



46:25.000 –> 46:29.000 Yeah, it was a bunch of COVID related, anti-COVID covers,



46:29.000 –> 46:32.000 Six Sad World, Vol 1 is on Bandcamp.



46:32.000 –> 46:36.000 I was looking for Freed from Desire covers and I found that went perfect.



46:36.000 –> 46:37.000 Yeah.



46:37.000 –> 46:41.000 And I think that Lobsterdust is from 2011, although it’s dated 2021,



46:41.000 –> 46:43.000 but it’s as Extraterrestrial 2011.



46:43.000 –> 46:46.000 So I don’t know when the childish Gambino came out.



46:46.000 –> 46:48.000 It’s not that new, but who knows?



46:48.000 –> 46:50.000 Who knows?



46:50.000 –> 46:53.000 So we’re going to play some more mashups.



46:53.000 –> 46:54.000 Whoa.



46:54.000 –> 46:55.000 I know, right?



46:55.000 –> 47:00.000 And this is by someone digging a lot recently.



47:00.000 –> 47:02.000 That’s Sir Hank.



47:02.000 –> 47:04.000 And this is Jump Around with Big Energy.



47:04.000 –> 47:05.000 And I didn’t know.



47:05.000 –> 47:08.000 It’s one of those cases where I didn’t really know the vocal.



47:08.000 –> 47:11.000 And I heard it and went, oh, that’s perfect.



47:11.000 –> 47:13.000 That is absolutely perfect.



47:13.000 –> 47:16.000 You know, it’s like the combination of the two things,



47:16.000 –> 47:19.000 because there’s been so many Jump Around mashups,



47:19.000 –> 47:23.000 but not, not, not like this.



01:25:43.000 –> 01:25:45.000 Finally



01:25:45.000 –> 01:25:47.000 I have been



01:25:47.000 –> 01:25:49.000 looking for a track from



01:25:49.000 –> 01:25:51.000 Black Eye, another track



01:25:51.000 –> 01:25:53.000 but there was an instrumental



01:25:53.000 –> 01:25:55.000 sort of theme released by Mort Garson



01:25:55.000 –> 01:25:57.000 on a compilation a long



01:25:57.000 –> 01:25:59.000 time ago. I was like I couldn’t believe that



01:25:59.000 –> 01:26:01.000 a film scored by Mort Garson and was only



01:26:01.000 –> 01:26:03.000 one tune



01:26:03.000 –> 01:26:05.000 and finally



01:26:05.000 –> 01:26:07.000 on the journey to the moon



01:26:07.000 –> 01:26:09.000 and beyond was released very recently



01:26:09.000 –> 01:26:11.000 I think it was just a few months ago



01:26:11.000 –> 01:26:13.000 or a month ago. We have Black Eye



01:26:13.000 –> 01:26:15.000 end credits because I think the other one



01:26:15.000 –> 01:26:17.000 was like in maybe the intro



01:26:17.000 –> 01:26:19.000 theme. I just knew



01:26:19.000 –> 01:26:21.000 I’ve been searching for it for years. I was like



01:26:21.000 –> 01:26:23.000 Mort Garson and Black Eye on Soulseek



01:26:23.000 –> 01:26:25.000 yes I do still use Soulseek



01:26:25.000 –> 01:26:27.000 and that just popped up and went



01:26:27.000 –> 01:26:29.000 what what we’ve actually got a Black Eye



01:26:29.000 –> 01:26:31.000 you know not the



01:26:31.000 –> 01:26:33.000 just the one that was excellent



01:26:33.000 –> 01:26:35.000 and I do recommend the journey to the moon



01:26:35.000 –> 01:26:37.000 and beyond. There’s the NASA



01:26:37.000 –> 01:26:39.000 he did the official



01:26:39.000 –> 01:26:41.000 music to this



01:26:41.000 –> 01:26:43.000 moon landing



01:26:43.000 –> 01:26:45.000 and there’s various other things on there



01:26:45.000 –> 01:26:47.000 but yes it’s a bit of a mixed bag as it always



01:26:47.000 –> 01:26:49.000 is with Mort Garson



01:26:49.000 –> 01:26:51.000 but that was worth it alone



01:26:51.000 –> 01:26:53.000 just for that. That was beautiful. Soulful



01:26:53.000 –> 01:26:55.000 and kind of like almost



01:26:55.000 –> 01:26:57.000 disco. I mean there was a disco section



01:26:57.000 –> 01:26:59.000 it’s kind of a good way to end a disco section



01:26:59.000 –> 01:27:01.000 though what was before was Marc



01:27:01.000 –> 01:27:03.000 Johnce with I Can See Discoproof



01:27:03.000 –> 01:27:05.000 Daisies that was released literally a day



01:27:05.000 –> 01:27:07.000 or so ago or a couple



01:27:07.000 –> 01:27:09.000 days ago. It’s very new



01:27:09.000 –> 01:27:11.000 new shit that’s LaRoux



01:27:11.000 –> 01:27:13.000 Bulletproof versus Chromeo



01:27:13.000 –> 01:27:15.000 versus Taylor Swift versus Kylie Minogue



01:27:15.000 –> 01:27:17.000 a bit Tension in there. I’ve not listened to



01:27:17.000 –> 01:27:19.000 tension but I’ve been hearing all the queens going



01:27:19.000 –> 01:27:21.000 on about it so I need to listen to Tension



01:27:21.000 –> 01:27:23.000 Katy Perry’s



01:27:23.000 –> 01:27:25.000 Daisies and Jesse Ware



01:27:25.000 –> 01:27:27.000 I’m not sure what the Jesse Ware is but I love the



01:27:27.000 –> 01:27:29.000 Katy Perry’s Daisies. The question is where’s the magic



01:27:29.000 –> 01:27:31.000 gone and why did we put all our



01:27:31.000 –> 01:27:33.000 dreams in the attic. Yes



01:27:33.000 –> 01:27:35.000 and then before that we had



01:27:35.000 –> 01:27:37.000 I mean you can’t have a disco section without Say



01:27:37.000 –> 01:27:39.000 She She that’s NORMA



01:27:39.000 –> 01:27:41.000 which was their response to



01:27:41.000 –> 01:27:43.000 the



01:27:43.000 –> 01:27:45.000 rolling back of the abortion laws



01:27:45.000 –> 01:27:47.000 in America. Obviously Norma



01:27:47.000 –> 01:27:49.000 is referencing Jane Roe



01:27:49.000 –> 01:27:51.000 who was Norma McCorvey



01:27:51.000 –> 01:27:53.000 who was the



01:27:53.000 –> 01:27:55.000 Jane Roe in Roe versus Wade



01:27:55.000 –> 01:27:57.000 and so as they called it



01:27:57.000 –> 01:27:59.000 Norma in capitals but it’s



01:27:59.000 –> 01:28:01.000 a good song of resistance anyway



01:28:01.000 –> 01:28:03.000 but yeah it’d be fucked at the moment



01:28:03.000 –> 01:28:05.000 and things need to change



01:28:05.000 –> 01:28:07.000 I’ve been locking horns



01:28:07.000 –> 01:28:09.000 with the Gender Critical lot



01:28:09.000 –> 01:28:11.000 on Bluesky of all places



01:28:11.000 –> 01:28:13.000 I mean they’re on Twitter, you expect that



01:28:13.000 –> 01:28:15.000 to come on Twitter but



01:28:15.000 –> 01:28:17.000 they’re on Bluesky and putting out



01:28:17.000 –> 01:28:19.000 their dumb people are going to rape you in the



01:28:19.000 –> 01:28:21.000 toilets type stuff and you’re like oh for fuck’s sake



01:28:21.000 –> 01:28:23.000 there’s a



01:28:23.000 –> 01:28:25.000 really good video series which I’ve posted on



01:28:25.000 –> 01:28:27.000 RadioClash.com by Caelan Conrad



01:28:27.000 –> 01:28:29.000 which kind of a long



01:28:29.000 –> 01:28:31.000 time ago I posted an alt-right



01:28:31.000 –> 01:28:33.000 playbook video series



01:28:33.000 –> 01:28:35.000 where they go through



01:28:35.000 –> 01:28:37.000 you know this is what they do, this is the tactics



01:28:37.000 –> 01:28:39.000 this is the strategy, this is the scripts



01:28:39.000 –> 01:28:41.000 here we are, same thing



01:28:41.000 –> 01:28:43.000 very useful, I would really recommend



01:28:43.000 –> 01:28:45.000 it’s five hours, it’s long



01:28:45.000 –> 01:28:47.000 but I think it’d be a, horrified and be



01:28:47.000 –> 01:28:49.000 very much informed into



01:28:49.000 –> 01:28:51.000 what they’re trying to do



01:28:51.000 –> 01:28:53.000 to ‘peak’ you as in that’s their word



01:28:53.000 –> 01:28:55.000 for redpilling you



01:28:55.000 –> 01:28:57.000 make people into



01:28:57.000 –> 01:28:59.000 bring them into their cult



01:28:59.000 –> 01:29:01.000 and it is really, I mean



01:29:01.000 –> 01:29:03.000 is it really a cult? No it is



01:29:03.000 –> 01:29:05.000 the person who deep dived it called it a cult



01:29:05.000 –> 01:29:07.000 and you see his information



01:29:07.000 –> 01:29:09.000 and all the receipts and all the screenshots



01:29:09.000 –> 01:29:11.000 and also when you go yeah that’s pretty culty



01:29:11.000 –> 01:29:13.000 so yeah it’s not



01:29:13.000 –> 01:29:15.000 necessarily what it seems



01:29:15.000 –> 01:29:17.000 all this sort of ‘concerned about women’



01:29:17.000 –> 01:29:19.000 their misogynists and



01:29:19.000 –> 01:29:21.000 hemophobes and transphobes and the whole lot



01:29:21.000 –> 01:29:23.000 and racists and ableists and all



01:29:23.000 –> 01:29:25.000 the whole lot of shit



01:29:25.000 –> 01:29:27.000 yes



01:29:27.000 –> 01:29:29.000 I try and do my public service



01:29:29.000 –> 01:29:31.000 by you know facing up on stuff like that



01:29:31.000 –> 01:29:33.000 because it’s an unending battle



01:29:33.000 –> 01:29:35.000 but interesting thing



01:29:35.000 –> 01:29:37.000 was is that the person just went off on me



01:29:37.000 –> 01:29:39.000 and looked truly bad



01:29:39.000 –> 01:29:41.000 which is great



01:29:41.000 –> 01:29:43.000 usually I’m the bad one for that



01:29:43.000 –> 01:29:45.000 so I’m wary of doing it because I’m like



01:29:45.000 –> 01:29:47.000 oh yeah



01:29:47.000 –> 01:29:49.000 you don’t want to kind of be able to point to you



01:29:49.000 –> 01:29:51.000 and go oh look look that’s a classic



01:29:51.000 –> 01:29:53.000 trans rights activist



01:29:53.000 –> 01:29:55.000 there we are, we can see them



01:29:55.000 –> 01:29:57.000 they just get really annoyed



01:29:57.000 –> 01:29:59.000 because I was a calm one and they’re the one who pulled out the ad homs



01:29:59.000 –> 01:30:01.000 and stuff and they’re like I win, bye



01:30:01.000 –> 01:30:03.000 I was being civil



01:30:03.000 –> 01:30:05.000 you’re a dick



01:30:05.000 –> 01:30:07.000 and you’re probably a sock puppet as well



01:30:07.000 –> 01:30:09.000 I’m pretty sure you’re not who you say you are



01:30:09.000 –> 01:30:11.000 but you know it’s so funny



01:30:11.000 –> 01:30:13.000 that we’re complaining about people masking up



01:30:13.000 –> 01:30:15.000 and they just had some random pictures



01:30:15.000 –> 01:30:17.000 of probably Antifa



01:30:17.000 –> 01:30:19.000 I think



01:30:19.000 –> 01:30:21.000 oh look at these trans rights activists hiding their face



01:30:21.000 –> 01:30:23.000 and of course on their profile no face



01:30:23.000 –> 01:30:25.000 no public information



01:30:25.000 –> 01:30:27.000 like I think you are a probably



01:30:27.000 –> 01:30:29.000 a Russian sock puppet



01:30:29.000 –> 01:30:31.000 say hi to Putin



01:30:31.000 –> 01:30:33.000 yeah



01:30:33.000 –> 01:30:35.000 and before that



01:30:35.000 –> 01:30:37.000 we had Fumboy3, Our Lips Are Sealed



01:30:37.000 –> 01:30:39.000 we had a special remix version



01:30:39.000 –> 01:30:41.000 with all the kiss from an enemy bits



01:30:41.000 –> 01:30:43.000 like was that Neville?



01:30:43.000 –> 01:30:45.000 and that’s played because I went to Duckie



01:30:45.000 –> 01:30:47.000 I went to the last Duckie



01:30:47.000 –> 01:30:49.000 the last weekly Duckie



01:30:49.000 –> 01:30:51.000 ever I think



01:30:51.000 –> 01:30:53.000 they’ve stopped doing the weekly things



01:30:53.000 –> 01:30:55.000 and they’ve now gone to monthly



01:30:55.000 –> 01:30:57.000 which is kind of an end of their era



01:30:57.000 –> 01:30:59.000 and they ended on the track before



01:30:59.000 –> 01:31:01.000 though not that version



01:31:01.000 –> 01:31:03.000 they ended on sOft Cell’s Say Hello Wave Goodbye



01:31:03.000 –> 01:31:05.000 but also they played Our Lips Are Sealed



01:31:05.000 –> 01:31:07.000 and that is a



01:31:07.000 –> 01:31:09.000 for me listening to the lyrics



01:31:09.000 –> 01:31:11.000 I love the lyrics



01:31:11.000 –> 01:31:13.000 ‘there is a weapon to our defence silence’



01:31:13.000 –> 01:31:15.000 and there I go to Duckie



01:31:15.000 –> 01:31:17.000 and I don’t really speak to anyone



01:31:17.000 –> 01:31:19.000 I just dance



01:31:19.000 –> 01:31:21.000 I try and have a good time



01:31:21.000 –> 01:31:23.000 and it’s slightly weird



01:31:23.000 –> 01:31:25.000 I had a good conversation afterwards



01:31:25.000 –> 01:31:27.000 with an Irish bear actually



01:31:27.000 –> 01:31:29.000 weirdly in the park



01:31:29.000 –> 01:31:31.000 but yeah



01:31:31.000 –> 01:31:33.000 the way it is with that place



01:31:33.000 –> 01:31:35.000 and not really fitting in



01:31:35.000 –> 01:31:37.000 but then kind of that is a power



01:31:37.000 –> 01:31:39.000 in a way as well



01:31:39.000 –> 01:31:41.000 and then before that we had Salon Music



01:31:41.000 –> 01:31:43.000 with Say Hello Wave Goodbye



01:31:43.000 –> 01:31:45.000 and yes



01:31:45.000 –> 01:31:47.000 that is Sparks in there



01:31:47.000 –> 01:31:49.000 around 1988 they visited Japan



01:31:49.000 –> 01:31:51.000 and we were fans of Salon Music



01:31:51.000 –> 01:31:53.000 cut from the album O Boy



01:31:53.000 –> 01:31:55.000 and they did that cover



01:31:55.000 –> 01:31:57.000 and they appear in the middle of it



01:31:57.000 –> 01:31:59.000 but Salon were more



01:31:59.000 –> 01:32:01.000 kind of shoegazy



01:32:01.000 –> 01:32:03.000 I would say shoegazy rock



01:32:03.000 –> 01:32:05.000 that’s a little bit pop for them



01:32:05.000 –> 01:32:07.000 but I like it a lot



01:32:07.000 –> 01:32:09.000 then before that we had an old remix



01:32:09.000 –> 01:32:11.000 that’s from 2007



01:32:11.000 –> 01:32:13.000 that’s Copycat with Enjoy or Leave in Silence



01:32:13.000 –> 01:32:15.000 it’s a Depeche Mode vs Depeche Mode mashup



01:32:15.000 –> 01:32:17.000 but you don’t get anyone



01:32:17.000 –> 01:32:19.000 doing mashups of Leave in Silence



01:32:19.000 –> 01:32:21.000 so I’m playing it



01:32:21.000 –> 01:32:23.000 because I mean there was a whole 80’s section there



01:32:23.000 –> 01:32:25.000 a random 80’s section



01:32:25.000 –> 01:32:27.000 but yeah you just



01:32:27.000 –> 01:32:29.000 you get loads of Enjoy the Silence



01:32:29.000 –> 01:32:31.000 and no Leave In Silence mashups



01:32:31.000 –> 01:32:33.000 even though it’s a perfect thing



01:32:33.000 –> 01:32:35.000 yeah to sort of mash the two together



01:32:35.000 –> 01:32:37.000 but also why does everyone mash



01:32:37.000 –> 01:32:39.000 Personal Jesus



01:32:39.000 –> 01:32:41.000 Enjoy the Silence



01:32:41.000 –> 01:32:43.000 usually just enjoy the Silence actually



01:32:43.000 –> 01:32:45.000 and maybe Just Can’t Get Enough



01:32:45.000 –> 01:32:47.000 it’s kind of annoying as a Depeche Mode fan



01:32:47.000 –> 01:32:49.000 that people don’t mash other songs so much



01:32:49.000 –> 01:32:51.000 a few people do



01:32:51.000 –> 01:32:53.000 you know who you are



01:32:53.000 –> 01:32:55.000 but not so many general mashups



01:32:55.000 –> 01:32:57.000 which is a bit sad



01:32:57.000 –> 01:32:59.000 and when a new album comes out



01:32:59.000 –> 01:33:01.000 there’s a few of those



01:33:01.000 –> 01:33:03.000 but yeah it’s always kind of the same



01:33:03.000 –> 01:33:05.000 3, 2, 3 Personal Jesus, Enjoy the Silence



01:33:05.000 –> 01:33:07.000 Just Can’t Get Enough



01:33:07.000 –> 01:33:09.000 so it’s nice to hear



01:33:09.000 –> 01:33:11.000 a rarely mashed song



01:33:11.000 –> 01:33:13.000 and very strange I have to say



01:33:13.000 –> 01:33:15.000 it’s kind of a bit of a remix



01:33:15.000 –> 01:33:17.000 and some very strange off beats in there



01:33:17.000 –> 01:33:19.000 it was an interesting one to mix



01:33:19.000 –> 01:33:21.000 then before that



01:33:21.000 –> 01:33:23.000 we had Pet Shop Boys I’m Not Scared



01:33:23.000 –> 01:33:25.000 from Introspective



01:33:25.000 –> 01:33:27.000 1968 which is their



01:33:27.000 –> 01:33:29.000 version of the



01:33:29.000 –> 01:33:31.000 Patsy Kensit 8th Wonder



01:33:31.000 –> 01:33:33.000 hit and I actually prefer



01:33:33.000 –> 01:33:35.000 it very much sums up the time



01:33:35.000 –> 01:33:37.000 they’ve got these 1968



01:33:37.000 –> 01:33:39.000 sort of French student protests



01:33:39.000 –> 01:33:41.000 in there and



01:33:41.000 –> 01:33:43.000 yeah I went on a Pet Shop Boys kick



01:33:43.000 –> 01:33:45.000 and you’ll hear some more Pet Shop Boys in a little bit



01:33:45.000 –> 01:33:47.000 I’m not sure why



01:33:47.000 –> 01:33:49.000 it’s kind of just



01:33:49.000 –> 01:33:51.000 regularly do that



01:33:51.000 –> 01:33:53.000 check out what they’re up to



01:33:53.000 –> 01:33:55.000 stuff is, what the older stuff is



01:33:55.000 –> 01:33:57.000 and I was like I haven’t played



01:33:57.000 –> 01:33:59.000 I’m Not Scared by Pet Shop Boys in the podcast



01:33:59.000 –> 01:34:01.000 I was like why, why?



01:34:01.000 –> 01:34:03.000 it is one of my favourite songs of all time



01:34:03.000 –> 01:34:05.000 and then before that



01:34:05.000 –> 01:34:07.000 we had DJ Giac with West Heathens



01:34:07.000 –> 01:34:09.000 Twenty One Pilots vs Pet Shop Boys



01:34:09.000 –> 01:34:11.000 that’s the



01:34:11.000 –> 01:34:13.000 special slow down version



01:34:13.000 –> 01:34:15.000 of Pet Shop Boys



01:34:15.000 –> 01:34:17.000 by the Shanti Capturing the Light



01:34:17.000 –> 01:34:19.000 of Down Remix I looked it up



01:34:19.000 –> 01:34:21.000 on Remix.audio



01:34:21.000 –> 01:34:23.000 and that sort of slow groove



01:34:23.000 –> 01:34:25.000 and then at the start we had



01:34:25.000 –> 01:34:27.000 again a sort of an 80s thing



01:34:27.000 –> 01:34:29.000 because although



01:34: