RC 390: Wreck The Joint (Acid Rain)

We wreck the joint with an acid rain of Adonis, Type-303, Paul Funk, Hunter Lombard, Lambrini Girls, Courtney Barnett, Logan Lynn and Makoto with a strangely serious podcast made of acid house bangers new and old, punk, pop, liquid dnb and indie rock. I let the music do the talking about climate change, corruption and the status quo (not Status Quo, although they are always welcome too).



Also new releases from B. Dolan, OMD and Duran Duran which are also in a similar global tip, and we talk about the 60th anniversary of Doctor Who and why the Doctor Woke bigots should get into the sea, and even play the odd mashup, including a new one from me using Dua Lipa’s latest.



Then we go into a Doctor Who inspired ‘we are star dust’ section, floating among the cosmos with Disasterpeace, Roger Eno, Elizabeth Parker, Mono and World’s End Girlfriend and oki bringing the deep ending widescreen space vibes.



Wreck The Joint With Clouds Of Acid (2:26 207Mb)



Listen to RC 390: Wreck The Joint by Radio Clash on hearthis.at




DJ Spud – A.I. Pop Revolution



Captain Obvious – Houdini Everywhere (Dua Lipa vs Fleetwood Mac) (Won’t Play This On) Radio v2 Edit



Thylacine – Allegri



Taggy Matcher – Supernature ft. Phoebe Killdeer



Duran Duran – Supernature



Orchestral Manoeuvres in the Dark (OMD) – Anthropocene



Hunter Lombard – Unlocked



Type-303 – Smile



Adonis – Reck The Joint



Giac – Lost In Too Much Music (Sister Sledge vs Jake Shears)



Rendez-Vous – My Blue Bird



Paul Funk – Don’t Make Me Wait for Acid



Logan Lynn – Baby Britain



Orchestral Manoeuvres in the Dark (OMD) – Kleptocracy



Courtney Barnett – Dead Fox



Logan Lynn – Rich and Beautiful



Makoto, Danny Wheeler – Osiris



Lambrini Girls – Terf Wars



Danny Macabre – Knights of Who (Muse vs Doctor Who)



Disasterpeace – Continuum



The Unusuals – Summer Is Over



Instamatic – While My Flowers Gently Weep (Miley Cyrus vs The Beatles)



Bob & Gene & The Inversions – It’s Not What You Know (It’s Who You Know)



Hannah Williams & The Affirmations – Tablecloth



B Dolan – The Rock Cried Out



Disasterpeace – The Celestial Fields



Elizabeth Parker – The Dying Of The Light



Roger Eno – Dust Of Stars



Mono & World’s End Girlfriend – trailer 3



oki – call me comfortably numb (Lil Nas X vs Pink Floyd)



Silvery – You Give A Little Love




Transcript
WEBVTT



00:00:00.000 –> 00:00:02.000 Starting now.



00:00:02.000 –> 00:00:04.920 And let us begin.



00:04:35.600 –> 00:04:39.760 Hello, welcome to Radio Clash. This is 390, and it’s been a while.



00:04:39.760 –> 00:04:51.160 I’ve been off doing things. In fact, off wild camping the last couple of days, so I am exhausted, not tired, exhausted. There is a difference.



00:04:51.160 –> 00:04:54.440 One is one where sleep doesn’t really help, you just have to rest.



00:04:55.000 –> 00:05:05.400 And that was, I mean, Houdini is everywhere at the moment, literally everywhere. It’s very similar to everywhere by Fleetwood Mac, and who does Fleetwood Mac measure up to well? Me.



00:05:05.400 –> 00:05:17.200 That’s Captain Obvious with Houdini Everywhere, Dua Lipa, Houdini vs. Fleetwood Mac’s Everywhere, The PsycheMagik Edit, which is my favourite remix of that track.



00:05:17.720 –> 00:05:25.640 And then at start we had DJ Spud with AI Pop Revolution, a dig at UMG on this podcast.



00:05:25.640 –> 00:05:27.000 Whoever heard of such a thing?



00:05:27.000 –> 00:05:31.920 And the podcast is called Wreck The Joint after a track played later on.



00:05:32.480 –> 00:05:48.800 We have a kind of a, if I say it’s an existential acid electro banger with a few references to big TV events and also topics in the world that put you off.



00:05:48.800 –> 00:05:57.120 I don’t know. It’s a weird one. It’s very, it’s one of these ones where I put together without a message and then suddenly a message just formed.



00:05:57.320 –> 00:06:03.040 I don’t know how that happened. So we start singing, which doesn’t have a message, but it’s it’s a really beautiful song.



00:06:03.040 –> 00:06:15.160 This is Allegri by Thylacine and the composer is called Allegri and the tracks called Misere and it infamously was transcribed by Ia for the Vatican.



00:06:15.160 –> 00:06:22.680 And it was super secret and things like that were never allowed to out, never written down because, you know, they will do all the rights to it.



00:06:22.680 –> 00:06:27.680 You know, they want to do the copyrights like UMG Mozart heard it once and then scribed it from memory.



00:06:27.680 –> 00:06:32.440 That’s how much Mozart was a genius. So this is Thylacine with Allegri.



00:52:22.520 –> 00:52:35.800 that was Courtney Barnett with Dead Fox



00:52:35.800 –> 00:52:39.560 from 2015.



00:52:39.560 –> 00:52:44.360 Her album, Sometimes I Sit Think and Sometimes I Just Sit, classic.



00:52:44.520 –> 00:52:50.360 So I didn’t play that before, and it suited the ecology vibe, but the weird thing is,



00:52:50.360 –> 00:52:53.800 I did not put any of that mix together with that idea.



00:52:53.800 –> 00:53:00.200 It just happened, and I was listening to it and going, oh, that’s what this is about.



00:53:00.200 –> 00:53:05.800 Yeah, sometimes these things are in the back of my mind. I’ve been doing YouTube videos on my hiking channel.



00:53:05.800 –> 00:53:09.720 I am The Hard Up Hiker, which is at Hard Up Hiker on YouTube.



00:53:10.440 –> 00:53:16.920 And if you’re into hiking or camping or wild camping or stealth camping, she’s all, then check me out.



00:53:16.920 –> 00:53:21.480 But I’ll be doing stuff about greenwashing and green, and I think I’ll leak into that mix.



00:53:21.480 –> 00:53:24.360 Something that’s very close to my heart, climate change and all that lot.



00:53:24.360 –> 00:53:27.480 And I’ll let the music speak for myself, really.



00:53:27.480 –> 00:53:34.600 And then before that, we had kleptocracy from the new album Bauhaus Staircase from OMD.



00:53:34.600 –> 00:53:39.800 And yeah, it’s nice to have OMD back, and also a political OMD.



00:53:40.280 –> 00:53:43.320 Which is not something we have been for a very long time.



00:53:43.320 –> 00:53:46.440 I mean, it’s kind of sometimes been in there, but yeah, not until the early days,



00:53:46.440 –> 00:53:50.680 when they were that post-punk and fiery talking about, well, various people.



00:53:50.680 –> 00:53:52.120 I think Trump is one of them.



00:53:52.120 –> 00:53:55.880 And corruption that’s happening around the world.



00:53:55.880 –> 00:53:59.880 And even a bit about Khashoggi being chopped up at the embassy and stuff like that.



00:53:59.880 –> 00:54:03.560 Yeah, there’s lots of stuff in there. I need to look at the lyrics, decipher it all, actually.



00:54:03.560 –> 00:54:06.840 And Saudi money and all that sort of stuff.



00:54:07.480 –> 00:54:12.040 Yeah, it’s sort of all creeping into all of our lives. It’s disturbing.



00:54:12.040 –> 00:54:19.960 Then before that, we had Logan Lynn with Baby Britain from his album New Money from 2022.



00:54:19.960 –> 00:54:22.440 And that is on Kill Rock Stars.



00:54:22.440 –> 00:54:25.480 So I think he felt like he had to do an Elliot Smith cover.



00:54:25.480 –> 00:54:28.760 But you know, Electro Elliot Smith, that’s a brilliant idea.



00:54:28.760 –> 00:54:32.520 And also, it shows how much of a bouncy pop song it is,



00:54:32.520 –> 00:54:37.560 even though the lyrics are about the United States and how fucked up it is.



00:54:37.560 –> 00:54:39.480 That is what that song is about.



00:54:39.480 –> 00:54:42.680 But also, when I first heard it, I didn’t hear it as that.



00:54:42.680 –> 00:54:47.240 I heard it as kind of reflecting the small-minded attitudes in Britain,



00:54:47.240 –> 00:54:49.000 you know, the little Britain thing.



00:54:49.000 –> 00:54:52.840 So it’s kind of got two things I know it’s supposed to be about.



00:54:52.840 –> 00:54:57.160 To me, it’s also about that almost like tries to be the United States part of Britain,



00:54:57.160 –> 00:54:59.400 the pharages and all those people.



00:54:59.400 –> 00:55:03.720 And then before that, we had that sort of acid sections weaving in and out.



00:55:03.720 –> 00:55:06.440 That’s Paul Funk with Don’t Make Me Wait for Acid,



00:55:06.440 –> 00:55:08.440 which we never want to wait for acid.



00:55:08.440 –> 00:55:12.760 That’s 2016’s album Aci 88, which is like a compilation.



00:55:12.760 –> 00:55:14.360 I’m not sure when it actually came out.



00:55:14.360 –> 00:55:17.960 Then before that, of course, I’m going to have a few curveballs in there.



00:55:17.960 –> 00:55:21.720 That’s My Blue Vird, Rendez-vous from 1977.



00:55:21.720 –> 00:55:26.040 And that’s one of the random cosmic dudes tracks.



00:55:26.040 –> 00:55:31.080 I’ve already talked a lot of times about the amazing massive directory of



00:55:31.080 –> 00:55:36.040 “cosmic” sort of electro, prog, disco, weirdness.



00:55:36.040 –> 00:55:40.520 I think it was a Russian compilation because there’s Russian things in there,



00:55:40.520 –> 00:55:42.280 but don’t put that against it.



00:55:42.280 –> 00:55:44.120 That’s well before all the invasions.



00:55:44.120 –> 00:55:45.960 And I’ve been mining that for years.



00:55:45.960 –> 00:55:50.200 It’s just a wonderful, soul-seek directory,



00:55:50.200 –> 00:55:54.360 which is full of real stuff you would not have found in a million years.



00:55:54.360 –> 00:55:58.040 And that is kind of proto acid, that verbally synth line,



00:55:58.040 –> 00:56:00.840 disco arpeggiation, but it has quite acid.



00:56:00.840 –> 00:56:03.800 Then it goes into that sort of cheesy funk sections,



00:56:03.800 –> 00:56:05.160 but they’re wonderfully cheesy.



00:56:05.160 –> 00:56:07.080 And then sort of the whole cheesy disco thing,



00:56:07.080 –> 00:56:09.000 nothing wrong with cheesy.



00:56:09.000 –> 00:56:10.280 We love cheesy disco.



00:56:10.280 –> 00:56:12.760 And yeah, and it goes very expansive and it goes back to that.



00:56:12.760 –> 00:56:14.440 I like that.



00:56:14.440 –> 00:56:15.000 I like that.



00:56:15.000 –> 00:56:19.160 Then before that, we had not acid,



00:56:19.160 –> 00:56:23.160 but certainly disco was Giac with his mashup,



00:56:23.160 –> 00:56:26.520 Lost In Too Much Music, Sister Sledge versus Jake Shears.



00:56:26.520 –> 00:56:27.960 I don’t know the Jake Shears track.



00:56:27.960 –> 00:56:29.160 I know it’s a new track.



00:56:29.160 –> 00:56:30.760 I think it’s called Too Much Music.



00:56:30.760 –> 00:56:32.200 I think I’ve seen the video even,



00:56:32.200 –> 00:56:34.760 but I need to properly listen to it.



00:56:34.760 –> 00:56:38.680 I’ve kind of lost track with Jake Shears post Scissor Sisters, I have to say.



00:56:38.680 –> 00:56:43.400 And then before that, we had the song on which name this podcast,



00:56:43.400 –> 00:56:45.400 although spelt rather differently,



00:56:45.400 –> 00:56:47.240 Reck The Joint by Adonis.



00:56:47.240 –> 00:56:50.600 That is a classic from the compilation is 89,



00:56:50.600 –> 00:56:51.800 but I think it’s a bit early than that.



00:56:51.800 –> 00:56:54.600 I think I think it’s 88 or 87.



00:56:54.600 –> 00:56:56.520 It’s that sort of peak period of acid house.



00:56:56.520 –> 00:57:00.440 Then before that some modern asset house from Type-303.



00:57:00.440 –> 00:57:03.320 I haven’t played Type-303 for a long while.



00:57:03.320 –> 00:57:07.720 That smile from a new EP called Take Off.



00:57:07.720 –> 00:57:10.280 There are certain people who I keep tabs on



00:57:10.280 –> 00:57:12.120 and Type-303 is one of those.



00:57:12.120 –> 00:57:16.200 I really like what they do with the modern acid sound.



00:57:16.200 –> 00:57:20.040 Then before that from also from acid,



00:57:20.040 –> 00:57:23.400 88 I think although there might be two albums called Acid 88.



00:57:23.400 –> 00:57:25.640 I say, oh, that’s really bizarre.



00:57:25.640 –> 00:57:27.640 So there’s a 2016 Acid 88 album,



00:57:27.640 –> 00:57:31.000 but there’s DJ Pierre presents Acid 88, Vol three.



00:57:31.000 –> 00:57:32.760 Oh, I see it’s a third in the series.



00:57:32.760 –> 00:57:33.800 Yeah, as you were.



00:57:33.800 –> 00:57:36.760 That’s Hunter Lombard with Unlocked.



00:57:36.760 –> 00:57:39.400 I like the sort of breaks acid feel of that.



00:57:39.400 –> 00:57:42.200 Then another track from the OMD album.



00:57:42.200 –> 00:57:43.560 That’s Anthropocene.



00:57:43.560 –> 00:57:45.640 And that reminds me of minimal by Pet Shop Boys,



00:57:45.640 –> 00:57:46.680 which is where I like it.



00:57:46.680 –> 00:57:49.880 But I like the use of AI.



00:57:49.880 –> 00:57:51.160 It’s not really AI voices.



00:57:51.160 –> 00:57:54.040 It’s TTS voices getting very geeky.



00:57:54.040 –> 00:57:54.840 Those are the TTS.



00:57:54.840 –> 00:57:56.840 I think it’s called Charles, I think it is.



00:57:56.840 –> 00:57:59.240 I’m showing my geekiness.



00:57:59.240 –> 00:58:03.720 I’ve been looking into text to speech for a long time



00:58:03.720 –> 00:58:05.320 and playing with it for a long time.



00:58:05.320 –> 00:58:07.160 I have not much just come out with it,



00:58:07.160 –> 00:58:09.240 but I’m waiting for that time



00:58:09.240 –> 00:58:12.040 where I can just type the podcast and I have to say it.



00:58:12.040 –> 00:58:14.600 We’re almost there.



00:58:14.600 –> 00:58:15.240 Almost there.



00:58:15.800 –> 00:58:17.320 You know, I mean, I’ll probably still say it anyway.



00:58:17.320 –> 00:58:18.520 It’s very quicker than typing it.



00:58:18.520 –> 00:58:20.360 Things like corrections or just, you know,



00:58:20.360 –> 00:58:21.560 being able to, you know,



00:58:21.560 –> 00:58:23.400 back to the Amiga days I was playing with stuff.



00:58:23.400 –> 00:58:27.240 Yeah, I think that’s a TTS voice rather than AI voice.



00:58:27.240 –> 00:58:29.560 It sounds a bit more robotic.



00:58:29.560 –> 00:58:31.880 Talking about, well, it’s interesting



00:58:31.880 –> 00:58:34.280 because I’ve been doing during this walk



00:58:34.280 –> 00:58:37.160 sort of three days, two nights of wild camping.



00:58:37.160 –> 00:58:40.280 It was all through Neolithic landscapes



00:58:40.280 –> 00:58:41.880 on the South Downs Way.



00:58:41.880 –> 00:58:43.400 I went to Chanctonbury Ring.



00:58:43.400 –> 00:58:45.000 I was going past so many.



00:58:45.000 –> 00:58:47.480 I slept next to Tumuli.



00:58:47.480 –> 00:58:48.520 Tumulus, Tumuli.



00:58:48.520 –> 00:58:50.200 Tumulus, I think it was Tumulus rather than Tumuli



00:58:50.200 –> 00:58:50.680 because it was one of them,



00:58:50.680 –> 00:58:51.320 but there was actually, I think,



00:58:51.320 –> 00:58:52.120 another one over there.



00:58:52.120 –> 00:58:52.520 Over there.



00:58:52.520 –> 00:58:53.640 So I got up on Tumuli.



00:58:53.640 –> 00:58:55.160 Tumuli.



00:58:55.160 –> 00:58:57.320 So much Neolithic chiseled.



00:58:57.320 –> 00:58:58.920 That’s kind of pointing out how, you know,



00:58:58.920 –> 00:59:00.360 walking over all these things



00:59:00.360 –> 00:59:01.640 which are changed by human hands



00:59:01.640 –> 00:59:03.800 and how that is at risk



00:59:03.800 –> 00:59:05.320 and the current scheme of things.



00:59:05.320 –> 00:59:06.920 I’m amazed that I put all these songs together.



00:59:06.920 –> 00:59:08.520 You know, and I put it next to Supernature,



00:59:08.520 –> 00:59:10.440 which is the only reason I’ve got Supernature in



00:59:10.440 –> 00:59:11.720 is because Duran Duran covered it



00:59:11.720 –> 00:59:13.480 on the latest album which came out



00:59:13.480 –> 00:59:14.920 at the end of October.



00:59:14.920 –> 00:59:17.720 Danse Macabre, that in quotes goth album.



00:59:17.720 –> 00:59:19.560 Then some more disco, I would say.



00:59:19.560 –> 00:59:23.240 Disco goth, Black Disco, I don’t know, Dark Disco.



00:59:23.240 –> 00:59:24.440 So it has a few goth bits,



00:59:24.440 –> 00:59:25.720 but you know, it’s not that goth.



00:59:25.720 –> 00:59:29.160 Black Moonlight’s very good.



00:59:29.160 –> 00:59:31.160 And that one, I really like their cover of



00:59:31.160 –> 00:59:32.920 Cerrone’s Supernature,



00:59:32.920 –> 00:59:33.640 but I forgot.



00:59:33.640 –> 00:59:34.920 I was not listening to the lyrics.



00:59:34.920 –> 00:59:37.160 It’s a song I love dearly,



00:59:37.160 –> 00:59:39.240 but it is about people



00:59:39.240 –> 00:59:40.520 screwing up the environment



00:59:40.520 –> 00:59:42.840 and trying to accelerate the growth of things



00:59:42.840 –> 00:59:45.160 and then creating monsters through messing with,



00:59:45.160 –> 00:59:47.960 you know, I mean, Cerrone was ahead of his time,



00:59:47.960 –> 00:59:50.040 GM crops and stuff, you know, so, yes.



00:59:50.040 –> 00:59:52.360 And then before that, a cover, another cover,



00:59:52.360 –> 00:59:55.880 by Taggy Matcher, which I heard on Dandelion Radio



00:59:55.880 –> 00:59:58.280 very recently and was like,



00:59:58.280 –> 00:59:59.640 “Oh, I’ve got Supernature.



00:59:59.640 –> 01:00:00.520 Oh, Supernature.”



01:00:00.520 –> 01:00:04.440 You know, so that’s Supernature featuring Phoebe Killdeer



01:00:04.440 –> 01:00:05.560 I think it’s Kildeer.



01:00:05.560 –> 01:00:08.040 I mean, it’s not a very fortunate name for,



01:00:09.080 –> 01:00:09.960 I think it was a single,



01:00:09.960 –> 01:00:12.920 but it’s also from Disco Reggae Vol 5.



01:00:12.920 –> 01:00:15.800 I’ve played quite a few of the Disco Reggae things in the past.



01:00:15.800 –> 01:00:21.240 I like Taggy Matcher’s style, covers and originals,



01:00:21.240 –> 01:00:23.240 but sort of like Disco meets Reggae thing,



01:00:23.240 –> 01:00:25.160 which I really like a lot.



01:00:25.160 –> 01:00:28.920 And the start section, we had Allegri’s Miserere,



01:00:28.920 –> 01:00:33.160 as covered by French trans producer Thylacine



01:00:33.160 –> 01:00:35.320 on 2020’s Timeless,



01:00:35.320 –> 01:00:37.880 doing the whole William Orbit thing, really.



01:00:38.520 –> 01:00:40.040 It’s very much in the William Orbit



01:00:40.040 –> 01:00:42.840 as remixed by Ferry Corsten’s sort of vibe.



01:00:42.840 –> 01:00:45.320 A few people have done that classic, you know,



01:00:45.320 –> 01:00:48.280 I mean, obviously, you’re all back to Wendy Carlos.



01:00:48.280 –> 01:00:51.000 I always like to shoe on some classical stuff in here,



01:00:51.000 –> 01:00:54.520 because we like to pretend we’re a little bit more refined



01:00:54.520 –> 01:00:55.400 than we really are.



01:00:55.400 –> 01:01:02.280 So yeah, I wasn’t really expecting that accidental rumination



01:01:02.280 –> 01:01:05.160 on corruption and the state of the world.



01:01:05.160 –> 01:01:06.840 It’s a bit of a heavy mix.



01:01:06.840 –> 01:01:09.000 During that, I found out about Logan Lynn



01:01:09.000 –> 01:01:14.040 and off the 30 years of Kill Rock Stars album,



01:01:14.040 –> 01:01:15.480 looking for something else.



01:01:15.480 –> 01:01:20.280 I checked out the whole album and then found this song.



01:01:20.280 –> 01:01:21.960 It has a brilliant video.



01:01:21.960 –> 01:01:24.600 Found the cover, the Elliot Smith cover off of that.



01:01:24.600 –> 01:01:26.120 It doesn’t mix that well,



01:01:26.120 –> 01:01:29.240 but it does kind of follow on from the previous bit.



01:01:29.240 –> 01:01:33.880 There’s a few more message tracks, a few more,



01:01:33.880 –> 01:01:35.800 and then we’ll swerve into something else.



01:01:35.800 –> 01:01:38.840 So this is Rich and Beautiful by Logan Lynn.



01:35:33.720 –> 01:35:54.920 That was a new single by B. Dolan. I can’t wait for a new album. I helped fund it. I want the



01:35:54.920 –> 01:36:02.120 people to pledge for the new album. It’s all done off Pledges and that is The Rock Cried Out.



01:36:02.120 –> 01:36:08.200 Great video because we went way over the pledges massively so as to be able to afford



01:36:08.200 –> 01:36:16.440 videos and tours and samples, which is unusual for a B. Dolan album. Usually they can’t afford



01:36:16.440 –> 01:36:24.680 samples. That’s good. Before that, we had Hannah Williams and the Affirmations with Tablecloth.



01:36:25.640 –> 01:36:29.880 A bit like the Hitchhiker’s, the most elegant use of the word fuck. That’s the most



01:36:29.880 –> 01:36:36.040 divine use of the song fuck ever. Impactful as well. That’s from 2019’s 50 Foot Woman. I don’t



01:36:36.040 –> 01:36:41.960 know why. I didn’t know until many years later she was on The Voice, but I really don’t know why.



01:36:41.960 –> 01:36:47.480 Sampled by Jay-Z, Hannah Williams and the Affirmations should have been, she and the group



01:36:47.480 –> 01:36:54.360 should have been household names. I don’t know why not. Before that, I’ve been tracking down for



01:36:55.160 –> 01:37:01.320 two, three plus years. I had it in a really low quality rip off vinyl and it’s one of these



01:37:01.320 –> 01:37:06.920 annoying things where people are like, “Oh, we released the vinyl. We were not going to release



01:37:06.920 –> 01:37:13.480 it on any of the format and it drives me mad when people do that.” That was Bob and Gene and the



01:37:13.480 –> 01:37:19.480 Inversions with It’s Not What You Know, It’s Who You Know. Victor Axelrod did the reggae version of



01:37:19.480 –> 01:37:27.000 that and Daptone have just released a compilation. It’s now out in decent quality on digital formats



01:37:27.000 –> 01:37:33.160 and things. If you ask me to, Victor Axelrod covers for Daptone Records. I heard him being



01:37:33.160 –> 01:37:39.880 interviewed on David Rodigan’s show and it was good to hear, but the best thing was to hear that



01:37:39.880 –> 01:37:46.120 I actually get that track. It’s not some limited edition vinyl as it was before. I don’t have a



01:37:46.120 –> 01:37:51.480 vinyl deck so I can’t. It’s useless to me. I have to say a sentiment of that is very true, sadly.



01:37:51.480 –> 01:37:59.320 And if you happen to be neurodiverse and don’t really… I know people say Tim, “Don’t blame



01:37:59.320 –> 01:38:04.760 your behavior on your autism or whatever I am on the spectrum.” But it’s a bit more than that.



01:38:04.760 –> 01:38:10.840 Burnout and people pick up on the weirdness and ableist bullying and yeah, there’s all kinds of



01:38:10.840 –> 01:38:15.240 stuff that people don’t see behind the scenes. But all they see is you having a freak out. They



01:38:15.240 –> 01:38:20.360 don’t see all the shit that’s been going on behind the scenes and people trying to gaslight you and



01:38:20.360 –> 01:38:25.880 wind you up, which does happen, sadly. I’m now very aware of it so I just don’t. I just shut that



01:38:25.880 –> 01:38:33.000 shit down very quickly. I don’t even play those games. But in my 20s and 30s, yeah, it was more



01:38:33.000 –> 01:38:41.000 difficult. And then before that we had Instamatic again, me, with While My Flowers Gently Weep



01:38:41.000 –> 01:38:45.960 Miley Cyrus vs The Beatles and we’re playing that because it’s a mashup I haven’t played and



01:38:45.960 –> 01:38:55.480 also The Beatles Now and Then in the news and a fairly drudgy, dreadful song. I don’t know. I can



01:38:55.480 –> 01:39:02.760 see why John Lennon left it. And I was hoping it would be a proper AI related release of Grow Old



01:39:02.760 –> 01:39:08.920 With Me which would make much more sense and is a better song. It was sort of released as a demo



01:39:08.920 –> 01:39:14.840 on the posthumous Lennon album and I think it would have made more sense than now and then,



01:39:14.840 –> 01:39:19.160 which is just, you can kind of see why he never actually made it into a bigger thing.



01:39:19.160 –> 01:39:24.040 It’s not that good a song. George Harrison was right. Hence, there’s a George Harrison there.



01:39:24.040 –> 01:39:29.480 And also weirdly, it links into how you got inverted and the inversions. It’s like, yeah,



01:39:29.480 –> 01:39:33.400 that’s probably not accidental. It’s just by the way my brain works. It’s really odd.



01:39:33.400 –> 01:39:40.680 Then The Unusuals with Summer is Over and that is a probably best known Dustie Springfield



01:39:40.680 –> 01:39:46.680 track which I didn’t know about which is weird because I thought I knew I heard a lot of early



01:39:46.680 –> 01:39:54.120 Dustie Springfield but is a B-side and she recorded her brother’s track. The brother was a co-writer



01:39:54.120 –> 01:40:00.760 of that track and it originally oddly went to Frank Ifield in 964 and then she did a cover



01:40:00.760 –> 01:40:08.280 later on and that’s from 1966. A very wonderful psych garage version and the singer is probably



01:40:08.280 –> 01:40:14.840 better known, Kathi MacDonald in the sort of garage-y world. And then before that, we had



01:40:14.840 –> 01:40:21.320 more stealth classical. It’s a continuum by Disasterpeace but really, really, it’s actually



01:40:21.320 –> 01:40:27.240 Chopin’s Prelude Op 28 number four. But you know, I didn’t know that was actually a classical



01:40:27.240 –> 01:40:34.760 theme but I liked the way he’s done that. And Fez is an important game to me. I did another mash-up



01:40:34.760 –> 01:40:40.440 with another Fez track so I mean I’ve done three Fez mash-ups. You can find that on my remix.audio



01:40:40.440 –> 01:40:45.560 page. Just look for Instamatic or Captain Obvious you’ll find it. That was kind of a link



01:40:45.560 –> 01:40:51.720 because of the return of Doctor Who in the 60th year of “Doctor Who” to Danny Macabre’s



01:40:51.720 –> 01:40:57.640 Knights of Who Muse versus Doctor Who theme. And yeah, I haven’t watched it yet. I was a choice



01:40:57.640 –> 01:41:02.760 between either record this podcast or watch it. I’ll watch it probably after I record this podcast



01:41:02.760 –> 01:41:08.200 or tomorrow but yeah, I haven’t watched it yet. I’m really looking forward to it. And the track



01:41:08.200 –> 01:41:14.760 before Terf Wars by Lamarini Girls from 2023’s You’re Welcome which is a brilliant name for the



01:41:14.760 –> 01:41:20.520 album is a response those people who have a problem with all the trans representation,



01:41:20.520 –> 01:41:25.560 and all the queer representation in the new Doctor Who I’m sure there’ll be lots of whining



01:41:25.560 –> 01:41:34.280 about “Oh woke PC, lefty PC, it’s gone terrible, oh all this woke PC crap” and yeah, Russell T. Davis



01:41:34.280 –> 01:41:39.800 is basically told them to get in the sea. They’re not the exact words but you know something along



01:41:39.800 –> 01:41:43.720 those lines. Basically they’ll have to live with their sad lonely lives I think that’s what he said.



01:41:43.720 –> 01:41:50.360 And good on them. And I think actually what it will be is because it’s RTD it will be a great



01:41:50.360 –> 01:41:54.920 story and it’ll be great Doctor Who so these people are going to have to suck it up. Whenever



01:41:54.920 –> 01:41:59.960 it’s it just happens to have some representation but it doesn’t work as well. Say Discovery I



01:41:59.960 –> 01:42:05.720 think Discovery had its moments which I loved but it seemed to kind of struggle from pretty much to



01:42:05.720 –> 01:42:12.200 the first series actually. Star Trek and all it got was “Oh no” and it’s not the fault the characters



01:42:12.200 –> 01:42:17.400 it’s the writers and it’s got nothing to do with whether there’s a trans or non-binary character



01:42:17.400 –> 01:42:23.240 or even a real person playing another character who is those things. No it’s to do with writers and



01:42:23.240 –> 01:42:28.280 lots of other things and it’s always really depressing when you hear this “Oh oh it’s



01:42:28.280 –> 01:42:34.520 all it’s because this woke him and it’s like yeah because Doctor Who was never about social justice”



01:42:34.520 –> 01:42:42.440 I’ve said this so many times this one character that is about social justice from day one.



01:42:42.440 –> 01:42:47.080 You know I mean I think there was reading someone was criticising some of the early stuff like



01:42:47.080 –> 01:42:53.080 Talons of Weng Chiang and kind of get it but it you know it’s not exactly blackface it’s a bit



01:42:53.080 –> 01:42:58.680 you know yellowface yeah kind of the whole stereotype but that’s kind of going off those



01:42:58.680 –> 01:43:06.280 kind of stories there’s Victorian stories and so I don’t know if it was as bad as you know some of



01:43:06.280 –> 01:43:12.520 the say blackface stuff or whatever it’s of its time but I don’t think especially with the stories



01:43:12.520 –> 01:43:18.760 about Doctor Who you know fighting oppression and fighting against you know literal Nazis the



01:43:18.760 –> 01:43:23.960 Daleks and stuff like that who were based off of the Nazis and stuff like fighting for the little



01:43:23.960 –> 01:43:28.360 guy fighting oppression that’s Doctor Who you know never once he went yeah you know what I



01:43:28.360 –> 01:43:33.000 wouldn’t know what I really should support is those Christian right wing corporations yeah I



01:43:33.000 –> 01:43:38.360 think they’re getting victimised and I think we should prop up capitalism and I think it all’s



01:43:38.360 –> 01:43:43.960 gonna all go really well there’s never been a story we’ve done that so or she so yeah that is



01:43:43.960 –> 01:43:51.080 you know weird so I hope they all have yeah I hope they all have sad lonely lives with their old



01:43:51.080 –> 01:43:59.000 reruns leave all us to enjoy new Doctor Who and then before that we had a bit of Drum and Bass



01:43:59.000 –> 01:44:04.840 with Osiris by Makoto and Danny Wheeler that’s from 2021’s What You Need I always like to



01:44:04.840 –> 01:44:10.120 drop in a little bit Makoto or liquid drum and bass because that’s that’s kind of where my heart



01:44:10.120 –> 01:44:15.080 is quite often then at the start of the section we had Logan Lynn with Rich And beautiful from



01:44:15.080 –> 01:44:21.000 2021’s 30 years of Kill Rock Starss which is a great compilation by the way starts out a bit very



01:44:21.000 –> 01:44:25.400 indian tonal sort of stuff but then there’s a little bit stuff like one of the early Gossip singles



01:44:25.400 –> 01:44:31.080 that came out a year or two before Standing the Way of Control hit one or two years before it was



01:44:31.080 –> 01:44:35.400 a big hit and no one was interested and then it suddenly just took off I think it was bit of a



01:44:35.400 –> 01:44:39.960 sleeper it went crept up the charts and crept up crept up it got into the you know the highest



01:44:39.960 –> 01:44:44.840 charts and then it just you know skyrocketed one of the singles before that was a track about called



01:44:44.840 –> 01:44:51.480 Listen Up! and that is really good and it’s a bit of a forgotten classic of theirs so we’re gonna



01:44:51.480 –> 01:44:59.400 play more into the star theme because of Doctor Who I’ve been really loving and I’d say shout out to



01:44:59.400 –> 01:45:06.120 Ian Fondue for posting about this Paradise Marsh I’m not even played the game but Disasterpeace



01:45:06.120 –> 01:45:12.200 again has done I don’t know it’s a bit like if you imagine Campfire Headphase by BoC meets Disasterpeace



01:45:12.200 –> 01:45:17.720 and 8-bit and the sort of stuff he’s been doing in piano music and that’s what it feels like



01:45:17.720 –> 01:45:24.600 and it’s about a frog in a marsh but this is a track called The Celestial Fields and it is beautiful



02:15:13.000 –> 02:15:27.000 that was oki with Call Me Comfortably Numb Lil Nas X versus Pink Floyd that was three



02:15:27.000 –> 02:15:32.840 years old and I only heard that so playing that iWillBattle on his twitch stream and



02:15:32.840 –> 02:15:38.760 yeah I hadn’t heard that before and I joked and it’s only part joking though I don’t have the



02:15:38.760 –> 02:15:42.680 time to organize at the moment that me and oki should get together and do a Pink Floyd album



02:15:42.680 –> 02:15:49.960 that is a good idea the problem is I’m so busy doing the youtube shizzle hence why this podcast



02:15:49.960 –> 02:15:55.960 is late hence why I’ve sorted out Christmas podcast but from then I can’t guarantee when I’m



02:15:55.960 –> 02:16:01.080 going I do want to podcast I do want to get the podcast going this out the blog and the mashups



02:16:01.080 –> 02:16:08.280 they’ve all kind of fallen by the bike you really have to commit 100% to youtube given I have an



02:16:08.280 –> 02:16:15.720 audience there it’s just under 300 subscribers at the moment and one of my videos went not exactly



02:16:15.720 –> 02:16:20.840 viral but you know I mean for something that was just me talking to have like well last time I looked



02:16:20.840 –> 02:16:27.000 it was 15 000 but it’s probably more views now yeah I’ve been shooting all these wild camping



02:16:27.000 –> 02:16:32.920 hiking gear videos and people always said to me oh you should go where your audience is and I never



02:16:32.920 –> 02:16:39.960 really did it until now and so I feel bad for my other audiences and my other things but that’s



02:16:39.960 –> 02:16:45.560 where things are taking off at the moment and that’s where I could actually earn some money so



02:16:46.200 –> 02:16:51.400 money being a real problem at the moment podcasts and mashups do not earn money partly because they’re



02:16:51.400 –> 02:16:57.480 other people’s content so it’s kind of interesting doing something that’s completely original my stuff



02:16:57.480 –> 02:17:04.920 my video my scripts me talking my ugly face all of that and that people actually want to watch



02:17:04.920 –> 02:17:12.760 which is I find amazing really I’ve got a great face for audio so yes then before oki we had



02:17:13.480 –> 02:17:21.240 Mono and World’s End Girlfriend with trailer 3 from 2006 palmless prayer mass murder refrain



02:17:21.240 –> 02:17:28.520 and that is one of the most beautiful pieces of music ever that’s just astoundingly beautiful I mean



02:17:28.520 –> 02:17:34.440 the name you describe it is I don’t know shoe gaze or post rock it’s only very different from what



02:17:34.440 –> 02:17:41.960 World’s End Girlfriend does but Mono have to that’s Mogwai the out Mogwai Mogwai quite often and yeah



02:17:41.960 –> 02:17:47.400 that that is really beautiful and there are several other tracks like that on that album very long



02:17:47.400 –> 02:17:51.880 incredibly long and I played all of it pretty much 6music wouldn’t do that they have to



02:17:51.880 –> 02:17:55.640 cut open sections I don’t know why because it’s like it’s a music station you should be able to



02:17:55.640 –> 02:18:01.240 play long tracks people just don’t play long tracks we do hear everyone’s ever like something I will



02:18:01.240 –> 02:18:05.800 play it all in full I know I mix in the mix things but some things I’m like nope I’m playing



02:18:05.800 –> 02:18:11.080 all that and that’s one of them then before that we had Roger Eno Dust Of Stars is



02:18:11.720 –> 02:18:19.240 from his 2018 album that’s working with youth the sample in there is Jean-Michel Basquiat



02:18:19.240 –> 02:18:27.960 from a very strange release in his band Gray I mean the idea of it as being a pop band and then



02:18:27.960 –> 02:18:33.880 it starts with a spoken word intro of him calling up a suicide hotline what gets kind of muffled



02:18:33.880 –> 02:18:39.240 sadly in that is he’s saying the city is killing me which is a brilliant brilliant line and then



02:18:39.240 –> 02:18:43.880 it goes completely mad it’s sample collage it goes to be a very Tomorrow Never Knows



02:18:43.880 –> 02:18:50.120 after that but that intro has been sampled quite a lot and then before that we had Elizabeth Parker



02:18:50.120 –> 02:18:56.280 with the Dying of the Light from the recent compilation Future Perfect now the funny thing



02:18:56.280 –> 02:19:01.320 is is that you listen to that obviously it’s not a new track it’s an old track and then listen to



02:19:01.320 –> 02:19:07.320 Disasterpeace which which is mixed in between it sort of goes between it and that’s Celestial Fields



02:19:07.320 –> 02:19:13.080 and from Paradise Marsh I’m not exactly sure when that Dying of the Light track was created but it



02:19:13.080 –> 02:19:18.840 would probably be several decades ago it probably would be 80s or 90s there’s so much similarity



02:19:18.840 –> 02:19:25.720 there it’s it’s crazy and so we’ve reached the end of the podcast I hope you enjoyed this it’s



02:19:25.720 –> 02:19:29.560 it’s not been so much mashups it’s one of these things where it’s really depends on your mood



02:19:29.560 –> 02:19:34.360 thing and sometimes I just want to focus on original music a bit like I’m focusing on original



02:19:34.360 –> 02:19:43.640 content mashups can be a little bit too sweet I’m probably bad for you a little bit concentrated



02:19:43.640 –> 02:19:48.440 a little bit too too too saccharine a little bit too sweet sometimes there’s like a plus b plus c



02:19:48.440 –> 02:19:56.440 or you know it’s like it gets a bit hyper and sometimes you want to go back to the meat and veg



02:19:56.440 –> 02:20:04.040 rather than the chocolate on that sundae with you know lots of cream and cherry on top which



02:20:04.040 –> 02:20:09.080 mashups tend to be I don’t know if someone makes them but you know I’m always very aware of trying



02:20:09.080 –> 02:20:12.840 to get things in patica we’re not trying to add more and more and more until you get this



02:20:12.840 –> 02:20:20.200 multi-mash monstrosity and it’s just too much and I was very much like that with my 72 segment



02:20:20.200 –> 02:20:28.040 which which hasn’t come out yet it’s soon soon the 72 part 6 will come out and I’m part of that



02:20:28.040 –> 02:20:33.560 and my section was very much like I listened to the previous sections and went okay



02:20:33.560 –> 02:20:39.080 you know let’s let’s do something my way do something that hasn’t been done by anyone else



02:20:39.080 –> 02:20:46.840 on this 72 and there’s a longer version of one of the combos I used some people like 20 parts 20



02:20:46.840 –> 02:20:51.720 things 10 things they seem to be throwing everything in and I don’t think that necessarily works



02:20:51.720 –> 02:20:56.760 especially in such a short section I think it’s better to have a couple of a plus b’s that really



02:20:56.760 –> 02:21:03.720 work rather than two or three that do and then 10 that don’t you know so I don’t know how successful



02:21:03.720 –> 02:21:09.960 it was I mean yeah I struggled with some of the keys hey wonderful Beatles again whatever the key



02:21:09.960 –> 02:21:17.320 that Warren ever knows is in and also something where actually I did know but I forgot to actually



02:21:17.320 –> 02:21:21.720 raise the key which is you know it’s all kind of thing of part of like doing something to



02:21:21.720 –> 02:21:28.040 in terms of 72 hours which is you know a rush I mean nowadays I can do that years ago I struggled



02:21:28.040 –> 02:21:33.560 with anything that quick because it took me ages to do anything and about six months to listen to



02:21:33.560 –> 02:21:37.880 it and then release and then find someone else has beat me by with three weeks yeah that quite



02:21:37.880 –> 02:21:43.640 often happened so we’re going to play out with the track from Bugsy Malone but this is a cover and



02:21:43.640 –> 02:21: